Definition of Love - Choir and Flamboyant-NRG versions
Choir - contradiction transcended into irony / Flamboyant-NRG Anthem - contradiction performed and celebrated
Choir Version
This version is sets out in a near-sacral choral style seemingly to lift the lyrics out of the personal and into a more collective, almost timeless space.
But soon it descends into a irreverent satire of notions around romantic love. The lyrics express a desire for a partner to be free and independent, yet simultaneously demand total obedience and submission - something that especially the Catholic Church has demanded from its flock for centuries.
But of course, this is not about church doctrine, it just highlights the eternal paradox of posessive love by means of a ceremonial choral which is kind of delicious given the lyrics.
Flamboyant-NRG Glam Anthem Version
The non-binary, gay, lesbian, bisexual, transgender flamboyancy of the high-NRG version strip away any notion of male dominance and turn love's contradictions into a joyful celebration of diversity.
This narrative frames love as a performance or a stage, where both individuals navigate their roles, setting trends and breaking rules together.
Ultimately, the song celebrates a glamorous, intense, and ever-evolving connection that feels both challenging and deeply satisfying, emphasizing the beauty of surrendering to a shared, sparkling passion.
Choir Version / Flamboyant-NRG Version
The Choir lyrics sit left and the Flamboyaant-NGR version right of the centered cover, then continues full width below.
Choir lyrics
[Low Bass Drone Begins — Almost Gregorian]
Basses (very slow, resonant):
Ooooooooh…
Baritones (whispered chant):
Love… love… love…
[Spoken Solo – Deadpan, Earnest]
I wanna make you my wife.
With every intention…
of leaving you.
[Full Choir — Solemn Chord]
We will worship you with all our life…
And lustfully deceive you…
[Call and Response]
Solo (spoken): Babe, I know that you're free.
Choir (rich harmony): Yooooou are free…
Solo: But entirely mine.
Choir (sudden dramatic swell): ENTIRELY MINE.
[Mock-ritual Chant]
Never dependent on me—
But mine…
For all of time…
Basses (very low): Foreverrrrr…
[Rhythmic Spoken Section ]
Respecting your identity—
I will mould you like clay.
Accepting what you want to be—
You ought to change the way I say.
[Build — Crescendo]
Be proud!
Be strong!
Be independent!
Be obedient… Even if you're right.
[Sudden Drop — Almost Whisper]
Challenge me when I'm wrong…
And give in without a fight.
[Massive Mock-Tragic Finale]
Full Choir — Lush Harmony
This is love!
This is balance!
This is reason!
This…
is…
contradiction.
[Ending — Deadpan Spoken Over Fading Drone]
We are not controlling.
We are…
[Full choir]
Supportive!
Flamboyant NRG Lyrics
I want to make you my bride tonight —
(Audience: “Oh yeah, tonight!”)
But darling, I might take flight —
(Audience: “Fly away!”)
I’ll worship you with every day —
(Audience: “Worship, worship!”)
And trick you in the most fabulous way —
(Audience: “Fabulous!”)
Pre-Chorus
You’re free, you’re wild, you’re everything —
(Audience: “Everything!”)
But still my heart’s the crown I bring —
(Audience: “The crown!”)
Not tied to me, but still you’re mine —
(Audience: “Mine, mine, mine!”)
Forever sparkling in this grand design! —
(Audience: “Shine, shine, shine!”)
Chorus (Hook — call-and-response)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
Like a star tonight! — (Audience: So bright!)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
Everything’s all right! — (Audience: Alright!)
I’ll shape you softly like glitter clay —
(Audience: “Glitter, glitter!”)
You can be anything — as long as it’s my way —
(Audience: “Your way!”)
You’re fierce, you’re proud, you’re full of flair —
(Audience: “Fierce and proud!”)
But follow me if you dare to care —
(Audience: “We dare!”)
Pre-Chorus
Go on, rebel, challenge, fight —
(Audience: “Fight, fight, fight!”)
But darling, surrender feels so right —
(Audience: “So right!”)
We break the rules, we set the trend —
(Audience: “Set the trend!”)
This love is glam — it’ll never end! —
(Audience: “Never end!”)
Chorus (Hook — bigger, wilder)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
Like a star tonight! — (Audience: Tonight!)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
We sparkle bright! — (Audience: So bright!)
Bridge (Spoken / Chant)
Proud and fierce, obedient or wild —
(Audience: “Wild, wild!”)
Love is a stage, darling, come and smile —
(Audience: “Smile, smile!”)
Rules are boring, love is art —
(Audience: “Art, art!”)
We play this game and steal your heart! —
(Audience: “Steal it all!”)
Final Chorus (Mega Anthem)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
We steal the show! — (Audience: Show us!)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
Let everybody know! — (Audience: Know it!)
You’re free, you’re fierce, we dazzle, we glow —
(Audience: Dazzle, glow!)
Shine! — (Audience: Shine!)
Shine! — (Audience: Shine!)
Together we go! — (Audience: Together!)
Outro (spoken, chanty, repeated)
Shine… (Audience: Shine…)
Shine… (Audience: Shine…)
Shine… (Audience: Shine…)
We sparkle bright! (Audience: Bright!)
Choir Version
Listen to the Choir version on Spotify →High-NRG Version (1)
Listen to the High-NRG Version (1) on Spotify →High-NRG Version (2)
Listen to the High-NRG Version (2) on Spotify →The Choir Version
“This is earnest choral writing with paradoxical lyrics.”
This arrangement leans into the paradox of the poem as if it’s a sacred masculine manifesto… while clearly undermining it:
- exaggerated solemnity
- ritualistic choir gravity treating absurd possessiveness as sacred doctrine
- absurd contradiction delivered with complete sincerity, making it funny
- lines that become increasingly ridiculous the more seriously they are sung
- repetition and swelling harmonies heighten the irony.
- slow, almost ceremonial pacing that commits to seriousness.
- low-end foundation anchor the harmonies - selling the mock-ritual feel -
- with harmonic swells that are doing some of the theatrical lifting, making it more unsettling — which is kind of delicious given the lyrics.
Interaction Between Music & Lyrics
I chose this musical arrangement deliberately to juxtaposition the lyrics with medieval, almost gregorian chant, mixed choir to create a “solemn choral satire”.
The somber lyrics of the choir leader are increasingly mocked by the choir (who annotates its own performance "Full choir - lush harmonies") or comments on the claim of the leading voice not being controlling, but "supportive" .
Technical Snapshot (Concise)
- Tempo & groove: BPM: 143. Slow, measured tempo with minimal rhythmic emphasis, creating a sense of suspension rather than forward motion.
- Harmony: C minor, modal choral harmony with sustained chords, favouring blend, resonance, and vertical sonority over progression.
- Instrumentation & texture: Vocal ensemble–led texture, with little to no instrumental accompaniment, emphasising purity and collective sound.
- Dynamics & production: Gradual dynamic shaping with long crescendos and decrescendos, prioritising space, reverberation, and a sense of acoustic depth.
The Flamboyant-NRG Version
Flamboyant-NRG is not really an established genre, to be honest I made it up, mixing Glam Rock, Flamboyant Pop, High-NRG to give the energetic, playful, celebratory, glam inspired tunes their own music genre.
Playful and extravagant: the lyrics are not earnest or restrained — they celebrate flamboyance with a wink. Images and phrases are deliberately over the top, like they’re dressed in sequins and shoulder pads.
Any notion of gender identity and role expectation are joyfully turned on their head in these glamorous and slightly ironic versions of tongue in cheek affirmation of freedom, rebellion, and sparkling glam (especially in Version 1).
Submission to this specific kind of love is both liberating and exhilarating. Ultimately, the song portrays love as a dazzling, eternal performance where the boundaries between individual identity and shared devotion become blurred.It’s fun, glamorous and self aware at the same time.
Interaction Between Music & Lyrics
I chose this style because it transforms contradiction into something expressive and almost celebratory. Instead of softening or confronting the paradox, the music amplifies it through performance, making it feel intentional and even playful. The fluidity of gender and identity allows the voice to move beyond fixed roles, making the song feel open and expansive. It shifts the meaning away from ownership or control, and towards a more dynamic, self-aware exploration of desire. What might feel conflicted in other versions becomes here something vibrant, theatrical, and unapologetically alive.
Technical Snapshot (Concise)
- Tempo & groove: BPM: 130. Upbeat, driving tempo with a strong, danceable pulse, often emphasising steady four-on-the-floor energy.
- Harmony: E♭ major, with bold, anthem-style progressions, designed for uplift and dramatic emphasis rather than subtlety.
- Instrumentation & texture: Layered production combining electric guitars, synths, and prominent rhythmic elements, creating a bright, expansive, and theatrical sound.
- Dynamics & production: High-energy and polished, with emphasis on big call and response choruses, vocal presence, and a sense of scale and spectacle.